SAVE/EXPORT FILE FORMATS
Export Project Dialog (*.wav; *.mp3, *.ogg, *.mid)
Most commonly you will be exporting your project to .wav or .mp3 audio files to be played in a media player, car stereo or hi-fi. The final mix is exported from FL Studio using the
export option in the file menu in a non-real time process called 'rendering'. The time taken will depend on export settings (see below) and project complexity.
Rendered audio is better quality than the live sound from FL Studio. Export formats include:
- Audio - .wav, .mp3, .ogg formats that save the complete audio mix of your project (see the note below on including sounds from external hardware).
- MIDI - .mid, that saves Step Sequencer / Piano roll note data to
standard MIDI files. MIDI is not an audio format.
NOTE: Exporting is not necessary to save your project for later work, use the File menu project Save option to .flp or
Recording External Hardware
NOTE: To include sounds from external hardware such as a synthesizer, drum-machine or sampler in the final render -
- Make MIDI connections to the device from your computer AND audio connections from the device to your soundcard inputs.
- Record the sound as it is played by FL Studio (using a MIDI Out plugin to drive the hardware).
- Place the recorded audio as an Audio Clip in the Playlist.
- Render the project to audio as shown here.
We recommend watching the video
A Digital Show and Tell (by Monty @ Xiph.org) to learn about how digital audio works. It will help you to understand what is and is not important on the audio settings.
Shows information about the current project.
- Mode - Displays whether FL Studio will render the whole Song or currently selected Pattern.
- Total Time - Shows total time length of the song to be exported.
- Disk Space - Shows the disk space required to hold exported audio file/s. If more than one save format is selected in the Output panel the combined total is reported.
- Bar# - Reports the current bar being rendered and the total number of bars in the project (current/total).
Looping mode only applies to audio formats (.wav, .mp3 and .ogg) and determines how any decaying sound after the last bar of your project/loop is rendered. For example, the tail of a reverb of a sound
may be important for the impression of smooth continuity when looping, or to prevent the decaying reverb in a 'straight' render being chopped off. If, after rendering the last bar from the song there is still sound
decaying, this option sets how FL Studio should proceed. Leave remainder is the default. NOTE: If you are making loop files use .wav format, .mp3 in particular leaves a small silence at the start of the
sound that will interfere with looping.
- Leave remainder - Expands the song length to capture any decaying sounds. If 'Leave remainder' still chops of any trailing audio, the Playlist Repeat marker
can be used to define the rendering end-point. While Repeat marker positions are usually ignored, if they are placed after the last Pattern, Audio or Automation Clip in the Playlist, the project will be rendered up
to the position of the Repeat marker.
- Wrap remainder - Wraps any decaying sound at the end of the song onto the beginning (useful when rendering loops with effects). NOTE: This feature works by starting the render at
the last bar, then mixing any audio decaying after the last bar back into the start of the song. If the decaying sound comes from notes before the last bar it won't be wrapped.
- Cut remainder - Cuts the render at the end of the last bar.
- Sample Interpolation - Select the waveform interpolation method used for Sampler/Audio-Clip channels. Interpolation
is a curve fitting process that computes intermediate sample amplitude data between the known sample points (filling in the gaps). This is only required when samples are transposed from their original pitch and the
program calls for a sample value out of sync with the source data-points. Without interpolation quantizing (amplitude) errors can create unwanted high-frequency harmonic artifacts (aliasing &
FL Studio provides several methods of increasing computational complexity and therefore accuracy -
- Linear interpolation is the fastest method. It provides basic linear averaging between samples, however it can result in aliasing (high frequency noises) if samples are transposed far from their original pitch.
- 6-point Hermite has been optimized to be a quick curve interpolation method with superior quality to linear interpolation. It is ideal for exporting 'working drafts' of your audio files.
- 64, 128, 256, 512-point Sinc methods provide increasing quality interpolation, but they are also very slow. We recommended that you use at least 64-point Sinc on
your final render, or better still, the maximum Sinc value that you are prepared to wait to finish rendering.
This video covers Aliasing and Interpolation.
NOTE: There is an independent live audio interpolation set on the F10 > Audio Settings, Mixer section. If different Mixer and Render interpolation options are set,
this can cause the live and rendered audio to sound different, specifically in the high frequency regions. Aliasing can create a 'false' high frequency brightness. Setting the live interpolation method to
64-point sinc will minimize this problem, should it arise.
- Dithering - Applies 32 to 16-Bit dithering to 16-Bit .wav and .mp3 files. Dither should only be applied once to 16 Bit audio file during the final render (if at all).
What is dithering? Simply, dithering randomizes
the value of the least significant bit when making bit-depth conversions (32 to 16 for example). The purpose is to break up the predictability of rounding errors that happen during the bit-depth
conversion. If dithering is not used, these rounding errors correlate with the audio signal and so generate alias frequencies. When dithering is used these alias frequencies are replaced by
an additional background hiss. Hiss is generally less distracting or noticeable than aliasing and so dithering has become a standard process to apply to the final 16 bit render ready for CD.
NOTE: Both the bit-reduction induced aliasing noise (without dither) or the hiss (with dither) is only audible in very, very quiet parts of a recording, where the music is approaching
the limits of the bit-depth AND you have the volume turned up very loud. If you are hearing noise artifacts and your track is playing at normal listening levels, then it is some other type of noise, probably resample based aliasing
(see the interpolation settings) or compression artifacts (mp3/ogg bit-depth). There is a lot of nonsense written on music forums about the benefits of dithering. Remember, it's a simple random jittering of the least significant bit. It does not add
'sparkle', 'punch' or 'bass'! It replaces one very low level noise (aliasing) with another (hiss).
- Alias-free TS404 - When enabled, prevents TS404 from "aliasing", but also slows down the rendering process.
- HQ for all plugins - Sets high quality mode for any native FL Studio plugins (effects, instruments & sampler channels) used in the song. VST plugins may also render in HQ mode if the Wrapper setting Notify about rendering mode is selected.
- Disable Max Poly - Ignores the max poly setting in Miscellaneous Channel Settings but does NOT ignore Mono option if selected.
Select the output format/s for the project render. To save in more than one format simply select multiple options on this panel.
The output (Mixer) sample rate is set in the Audio Settings window.
Values between 22000 Hz (22 kHz) and 192000 Hz (192 kHz) are possible. 44100 Hz (44.1 kHz)is the CD standard.
Wave is a lossless audio format and preferred
for handling audio in a production environment (use it to save all your samples, sounds and archive material). The drop-down menu contains
bit-depth options for the exported wave file:
What bit-depth should I use?
- 16-Bit integer wave is the highest-quality audio file compatible with a wide range of playback devices. It's also the CD audio format so if you want to create audio files compatible with CD
format use 44.1 kHz, 16-Bit .wav files make sure to set 44.1 kHz in the Audio Settings window. Also note that FL
Studio does not burn to CD format, it creates audio files ready for burning. Use any 3rd party CD burning program to create the audio CD.
- 24-Bit integer wave is a common bit-depth used by DAW hardware & some older software DAWs. Use this bit-depth if 32-Bit (see below) float is not supported by the device or application.
- 32-Bit floating point is the native format of FL Studio's mix engine. Render to 32-Bit float when you intend to continue mixing or editing the file in another
application (wave editor or DAW) that supports the 32-Bit float format. 32-Bit float provides more precision for audio processing and so will ensure the
highest quality is preserved during post production activities.
mp3 (Mpeg Layer 3) and
ogg(Ogg Vorbis) are both 'lossy' formats that compact the audio to save space. This means that at lower bit-rate settings you may hear unwanted artifacts often described as 'underwater sounds' or 'bubbling'. The slider sets
bit-rate of the mp3/ogg audio file, as bit-rate increases the audio quality improves, but at the expense of file size.
What bit-rate should I use?
- 64 kb/s (or less) is useful for low-quality internet 'demo' tracks. Compression artifacts will be noticeable.
- 128 kb/s is the point where 'acceptable' quality starts for the majority of people. It is useful for web streaming and e-mailing music files.
- 160 kb/s is the point where it becomes difficult for many people to distinguish CD from mp3 (not discerning FL Studio producers, of course). It is a good minimum bit-rate to use for music distribution and listening purposes.
Some material may still produce audible compression artifacts. Listen carefully to the entire track with headphones if quality is important and consider a higher bit-rate.
- 224 kb/s (or greater) and mp3/ogg become practically indistinguishable from CD under normal listening conditions. It is a good minimum Bit rate to use for archival of a quality compressed copy of
audio. bit-rates of 224, or greater, can be useful when collaborating over the Internet and you need to share audio files that may be impractical in CD .wav format (1400 kb/s).
NOTES: The maximum bit-rate for mp3 is 320 kbps and 450 kbps for ogg. This means if you set the slider to 450 kbps, mp3 files will still render at 320 kbps while ogg files
will render at 450 kbps. The relationship between kbps setting and the audibility of artifacts will depend on the material being rendered and the listening environment. You should always check your
rendered files with a good pair of headphones prior to release. The mp3 conversion introduces a small silence at the start of the file in addition to the original audio. For this reason
it's not suitable for use where time-alignment of the audio is critical (loops, samples, vocal tracks etc). Where possible use at least 16-Bit .wav format when sharing or saving audio in a
MIDI is a standard note & automation data format and will save the contents of the Step Sequencer and Piano roll. As note data is saved along with FL Studio
project, only export to MIDI if you intend to import the note data into a 3rd party application. To export:
- Make sure to save your project in its current state, the next step will replace Channel instruments.
- Use the macro Prepare for MIDI export on the main Tools menu that replaces all Channels with auto-configured MIDI Out plugins.
This is necessary to export project-wide MIDI in the correct multi-channel format. To export individual Piano roll data as MIDI files use the Piano roll menu option
'Export as MIDI file'.
- Select MIDI on the Export Project Dialog and press Start.
- Don't save your project in this state you will lose the original Channel settings. Save to a new project if required.
NOTE: MIDI is not an audio format. If your media player can play MIDI files it is using the synthesizer/sampler built into your soundcard to create audio from the MIDI data.
- Split Mixer Tracks - When selected, each Mixer track in the project is exported as a separate .wav file. NOTES: 1. This option does not export to mp3/ogg formats. 2. If you are using plugins with multiple-outputs
to Mixer tracks make sure the Mixer tracks have names. This will ensure FL Studio knows they are being used and renders them.
- Save ACIDized - Saves project tempo and slice/region markers in .wav/.mp3 files in Sony ACID™ meta-data format. Useful for programs that can read this data type. NOTE You can change the tempo using the Edison
Sample Properties dialog and the slice/region markers in Edison's wave-edit window.
- Save Slice Markers - If enabled, each note will create a slice marker in the exported file. This means that FL Studio exports sliced drum loops which are automatically ready for slice re-ordering and high quality time stretching.
- Delay compensation - The default is ON and applies only to .wav files. As PDC can add a delay to Mixer Tracks this switch determines whether the delay is rendered or not. When selected, any PDC that was added to the Master Mixer Track or Split mixer tracks (see above) is removed from the
start of the rendered .wav file. When deselected the PDC remains as a short period of silence equal to the PDC setting of the source Mixer Track. NOTE: This does not turn PDC on or off, it just decides if any PDC is rendered on the start of the .wav file. See also: Latency compensation
this removes delay caused by the ASIO Buffer length setting during recording. If you have already recorded the audio, it's too late, you will need to manually align it to the Playlist if it has a delay induced offset. Sometimes unwanted rendering delays can be caused by
Plugins Behaving Badly.
- Background Rendering - Minimizes and renders in background mode, allowing you to work on other Windows applications.
- Start - Starts Rendering. The name will change to Abort once rendering is underway.